KCA Welcomes New Resident Artists for Second History Themed Program and Exhibition
The Kent Cultural Alliance (KCA) continues its third year of the SFW Resident Artist Program with a focus on History. As 2026 is both KCA’s 45th Anniversary Year, and America’s 250th Birthday, the theme of History seemed very appropriate and carries over two residency sessions this year, one in the spring and one in the fall. KCA is fortunate to have the commitment of several local partner organizations to help the artists explore local history. The Historical Society of Kent County, the Chesapeake Heartland Project, and The Museums of Kent will all work with artists to inspire engaging new artwork. Six talented artists have been selected out of 54 applications from an open call last fall. KCA is ready to welcome the second team of three artists to begin their six week residency on September 21, 2026!
Lynda Andrews-Barry is a multidisciplinary artist whose research-driven practice spans large-scale public art, installation, time-based media, and fabricated sculpture. Her work examines land,infrastructure, environmental systems, and layered histories, translating complex civic and ecological narratives into site-responsive visual systems. Working with found materials and industrial fabrication processes, Andrews-Barry investigates environmental stewardship, cultural memory, and public witnessing. Her projects often function as visual timelines or spatial diagrams, connecting past and present through mapped terrain, continuous line, and engineered form.
Sylvia Jones lives and writes in Baltimore. She earned her M.F.A. from American University and teaches creative writing at George Washington University and the Bethesda Writers’ Center. Her previous classroom experience includes serving as a lead instructor with Baltimore’s Writers in Schools, teaching university-level composition at the Community College of Baltimore County, and facilitating workshops through the Goucher Prison Education Partnership. She is an Associate Poetry Editor at Black Lawrence Press and a Senior Reader at Ploughshares. Her editorial work also includes reading fiction for The Arkansas International, working as a curator for the D.C. Arts Center Poetry Series, and serving as a panelist and contest reader for Sarabande Books.
Jonathan Monaghan is an artist whose prints, sculptures, and video installations weave together elements of ancient mythology, science fiction, and consumer culture. His work explores the intersections of power, wealth, and technology in the digital age, in an imaginative and satirical critique that challenges viewers to examine their relationship with these forces. Past exhibitions include Sundance New Frontier, The Walters Art Museum in Baltimore, NRW Forum in Düsseldorf, and The Palais de Tokyo in Paris. His work has been featured in The New York Times and Vogue Italia. His work sits in numerous public and private collections including The Crystal Bridges Museum of American Art, The Phillips Collection in Washington, D.C. and the Microsoft Art Collection. He lives and works in Washington D.C.
“The Kent Cultural Alliance is thrilled to build on the success of the SFW Resident Artist Program with three new incoming resident artists this fall,” said Rob Blackson, Director of the Kent Cultural Alliance. “These artists, whose work encompasses poetry, painting and public sculpture will each be addressing the theme of History through their unique artistic perspectives. This fall season will conclude an entire year of residencies devoted to layers of history lived in Kent County. Through numerous public events and workshops the SFW Resident Artist Program creates new opportunities for local residents and nationally recognized artists to collaborate with Kent County organizations devoted to civic engagement throughout the county and the Upper Eastern Shore of Maryland.” In addition to public programs, artists will also present workshops in several Kent County Public Schools.
Lynda Andrews-Barry
Lynda Andrews-Barry is a multidisciplinary artist whose research-driven practice spans large-scale public art, installation, time-based media, and fabricated sculpture. Her work examines land, infrastructure, environmental systems, and layered histories, translating complex civic and ecological narratives into site-responsive visual systems.
Working with found materials and industrial fabrication processes, Andrews-Barry investigates environmental stewardship, cultural memory, and public witnessing. Her projects often function as visual timelines or spatial diagrams, connecting past and present through mapped terrain, continuous line, and engineered form.
Her work has been exhibited, commissioned, and collected nationally, including presentations at the National Building Museum, the National Museum of Women in the Arts, and the Smithsonian’s
Renwick Gallery. Her public art installations have been realized across Washington, DC, Maryland, Virginia, New Jersey, and Florida.
She holds a BA in Interior Design from Mount Vernon College and an MA in Exhibition Design from The Corcoran College of Art + Design. She serves on the Board of Directors of the Washington Sculptors Group and is Editor of The Washington Sculptor. She is an Environmental Justice Artivist Fellow with Social Art and Culture, supported by the Aspen Institute.
Sylvia Jones
Sylvia Jones lives and writes in Baltimore. She earned her M.F.A. from American University and teaches creative writing at George Washington University and the Bethesda Writers’ Center. Her previous classroom experience includes serving as a lead instructor with Baltimore’s Writers in Schools, teaching university-level composition at the Community College of Baltimore County, and facilitating workshops through the Goucher Prison Education Partnership. She is an Associate Poetry Editor at Black Lawrence Press and a Senior Reader at Ploughshares. Her editorial work also includes reading fiction for The Arkansas International, working as a curator for the D.C. Arts Center Poetry Series, and serving as a panelist and contest reader for Sarabande Books.
Jones’s debut collection, Television Fathers, was published by Meekling Press in 2024, and her second collection, Dope Callisthenics, is forthcoming from Relegation Books in October 2026. Her writing has appeared or is forthcoming in Pleiades, Smartish Pace, American Poetry Review, DIAGRAM, Shenandoah, The Hopkins Review, Common Place Poetics, The Cortland Review, Annulet, Long News Poetry & Poetics, R&R Journal, and elsewhere. She has received fellowships, residencies, and support from Herman Melville’s Arrowhead, the Edward F. Albee Foundation, Peaked Hill Trust, the Philadelphia Museum of Art, the Jack Kerouac Project, the Maryland Center for Culture and Arts, the Walters Art Museum, Topical Cream, Jack Straw Cultural Center, the Emerging Artist Initiative, OUTWrite DC, Poets at the End of the World Collective, Wendy’s Subway, Literary Cleveland, the D.C. Arts Center, Creative Capital, Greedy Reads Bookstore, the Cleveland Museum of Art, and Bucknell University, where she was a 2021–22 Stadler Fellow. Her recent collaborative work with the Center for Book Arts includes a 2026 project with artist Sok Song.
Jonathan Monaghan
Jonathan Monaghan is an artist whose prints, sculptures, and video installations weave together elements of ancient mythology, science fiction, and consumer culture. His work explores the intersections of power, wealth, and technology in the digital age, in an imaginative and satirical critique that challenges viewers to examine their relationship with these forces. Past exhibitions include Sundance New Frontier, The Walters Art Museum in Baltimore, NRW Forum in Düsseldorf, and The Palais de Tokyo in Paris. His work has been featured in The New York Times and Vogue Italia. His work sits in numerous public and private collections including The Crystal Bridges Museum of American Art, The Phillips Collection in Washington, D.C. and the Microsoft Art Collection. He lives and works in Washington D.C.
Schedule:
The Kent Cultural Alliance offers several free opportunities for the community to engage with our resident artists. Sme of those opportunities include the following dates:
All events at KCA’s Raimond Cultural Center, 101 Spring Avenue, Chestertown, Maryland.
Monday, September 28, at 5:30 pm – MEET THE ARTISTS, a formal program where each of the three artists will make a short presentation about themselves and their careers as artists. A lite reception will follow.
Saturday, October 17, from 11:00 am to 2:00 pm – OPEN STUDIOS, an informal opportunity for the community to meet the artists in their workspace and learn about their projects for this History themed residency.
Friday, October 30, from 5:00 pm to 8:00 pm – EXHIBIT OPENING RECEPTION. Come experience the new work created by KCA’s three resident artists as they interpret local history and help all of us make deeper connections to it.
Saturday, October 31, at 1:00 pm – ARTISTS’ TALK – A formal presentation from KCA’s three artists about their work for this History themed session.
Exhibit Hours: The History Exhibit will run from Friday October 30 through Saturday, December 12 with gallery hours on Wednesdays through Fridays from 10:00 am to 4:00 pm and on Saturdays from 10:00 am to 2:00 pm